The season’s runner-up, Sarah Todd presented amazing Indian dishes, including a pork vindaloo a pungent and spicy dish from the coastal state of Goa.
MasterChef Australia is one of the most popular TV shows in India and the constant presence of cooks who are Indian-origin or share a connection to the country has only helped its popularity – today it is a bigger hit than the show’s Indian version.
Over the years, contestants have wowed the judges with Indian dishes which are often traditional but sometimes come with a modern take.
Rishi Desai, who finished fourth in Season 5 of the show in 2013, impressed the judges with his take on the palak paneer – a dish that has a thick spinach and cream gravy with heaps of cottage cheese to mop the flavour.
Since then, every season has seen contestants dish out mouth-watering dishes that put India’s bold regional flavours front and centre.
Indian food doesn’t need introduction in most parts of the world. But the show’s Indian contestants have showcased the inexhaustible variety and range of flavours it offers.
“MasterChef Australia has taken the western world beyond “butter chicken and naan” to more and different Indian food and ingredient experiences,” Sandeep Pandit, who contested in Season 11, says.
Mr Pandit has taken ideas from all over India to create recipes that, although are rooted in tradition, come with a unique modern twang – the most famous being his lobster masala.
“I always knew that even if I cook one Indian dish in every round that I have, I’ll still never be able to showcase it all,” he says.
MasterChef is also known for spotlighting the exquisite ways food can look amazing on TV and has encouraged contestants to push the boundaries when it comes to presentation and ways to make dining a sophisticated experience.
That has raised a question: can Indian food compete in the fine-dine space with other cuisines like Italian and French. Or should it retain its unique nature, which is sometimes described as rustic?
For Mr Pandit, the answer to the question depends on how you look at it. “Does fine dine mean stylish food served in small portions, with a hero ingredient and multiple elements complimenting it or the cuisine from the royal kitchens and tables from nobility across the world? In any case Indian food fits the scene.”
Depinder Chhibber, a contestant in Season 13, remembers feeling utterly nervous the first time she served Indian.
“That’s because Indians underestimate our home food even though it’s so powerful and the flavours are second to none,” says the 30-year-old who wooed judges with dishes like smoked lassi and kadhai paneer.
“But the judges loved my home style Indian dishes.”
Ms Chhibber says the limitations posed on Indian food are created by us: “There is so much you can do with Indian flavours”.
There is no doubt that Indian cuisine is enjoying something of a renaissance globally.
There was a time when all dishes ended up being lumped together under one name – “curry” – which was then dismissed as “too spicy” or “too smelly”, something that was devoid of any artistic possibilities.
But over the years, Indian chefs have dug deeper into old-age recipes and techniques and reinvented them into a unique fine-dine idiom.
Gaggan Anand, arguably one of India’s most famous chefs, says the assumption that Indian food cannot be fine dine is a fatuous misconception at best.
“We shouldn’t even ask this – I have proved that Indian food can be fine dine,” Mr Anand says with characteristic swagger.
Indeed, his eclectic style – imbibing modern influences and funky aesthetics but deeply anchored by the culture he grew up in Kolkata city – has turned his restaurant in Bangkok into the holy grail of fusion food and turned Mr Anand himself into a stuff of legend, “a food god”.
Food travellers from every corner descend upon his restaurant, which was ranked fourth on the World’s 50 Best Restaurants list in 2019, to experience dishes that defy easy categorisation but are an aesthetic triumph. The most famous of these is called yogurt explosion, a dollop of yogurt that explodes in your mouth into a medley of flavours, held together by a layer of gelatine.
But Mr Anand acknowledges that just a few chefs like him cannot do justice to Indian food.
He blames the lack of creativity among those who are in positions of power in India’s food industry, but is quick to add that chefs who try to be innovative also find it difficult to survive.
“Even if there are chefs coming who have artistic bend of mind, it’s that much harder for them to break through this whole capital system,” Mr Anand says.
The entire culture, he adds, has to change. “It’s not about presenting India food dressed as European but harnessing the rich heritage of our culture into putting out elegant plates of food,” he says.
Mr Pandit feels that Indian chefs constantly seem to be battling the misconception that their food lacks nuance, when actually, the cuisine is “a universe in itself”.
“We Indians love to stretch the boundaries of what’s possible in food,” he says. “The way we’ve incorporated chillies, tomatoes, cheese, chocolate, tea into our cooking, and the way our spices ginger, turmeric, cardamom and other intensifiers, have contributed to world cuisine, is a case study in itself.”
At the same time, Indians can make any culture’s food uniquely their own, like they did with Indian-Chinese. Sold in plush restaurants and roadside stalls, the cuisine employs Chinese techniques, but often has ingredients associated with Indian curries.
“This love to recreate something existing into something just as incredible, has been the true essence of Indian cuisine,” Mr Dixit says.
But, as Ms Chhibber says, serving Indian isn’t always easy, especially in a competitive environment like MasterChef.
“There have been instances when I couldn’t serve Indian food, for example, in the Italian team challenge where I had to make a light dessert to go with the pasta dishes we created for entrée and mains,” she says.
Besides, sometimes the judges just want to see if the contestants can go beyond their comfort zone. “And for me that zone is Indian food,” says Ms Chhibber.
Justin Narayan, the winner of Season 13, also remembers “feeling a little vulnerable” sometimes.
“Indian food is such a huge part of my life and my family’s history so to be able to present it on the MasterChef stage is a huge honour,” the cook of Fijian-Indian heritage says.
But the response he got was infectious. “More and more people want dishes that are real and authentic,” he says, adding that MasterChef has given Indian food a distinguished platform by putting it alongside some of the world’s best cuisines.
Mr Anand agrees, but he’s also thinks that one can’t become a chef from the show. “Even winners have to work hard to earn the chef’s jacket,” he says.
The real malaise, he says, is systemic in a country that is obsessed with churning out “doctors and engineers” and dismissing those who choose differently.
“True revolution in Indian cooking can only come when this mindset is changed.”
